He-Man gets a new twist in ‘Masters of the Universe: Revelation’

The new Netflix series Masters of the Universe: Revelation, written by Kevin smith, is the latest offering from Powerhouse Animation, which also produced the Netflix shows Blood of Zeus and Castlevania. Science fiction author Zach Chapman believes he is superior to his predecessors.

“I think the animation actually surpasses Blood of Zeus– definitely in the designs and redesigns of a lot of the characters, ”Chapman says in episode 478 of the Geek’s Guide to the Galaxy Podcast. “And then just in the quality of the animation itself. The battle scenes are, on average, better and more interesting than Castelvania. “

Masters of the Universe: Revelation picks up the story of He-Man as he appeared in the 1983 children’s cartoon He-Man and the Masters of the Universe. Geek’s Guide to the Galaxy host David Barr Kirtley enjoyed the show, but was surprised that it deviated so far from the classic He-Man formula. “I was disappointed that the show seemed to rule out characters that I actually remembered,” he says. “My initial reaction was that I wanted to see more of He-Man that I remember, where he alternates between Adam and He-Man.”

television writer Andrea Kail also had issues with the characterization of Teela, who comes across as the focal point of the series. “They often do that with female characters, where their life is going well: she just got promoted, she has a great relationship with her father – she was just hugging him – and then she finds out that someone has her. lied, and it’s like, ‘That’s it. I throw my sword down and go out, and I’ll never talk to you again for years and years, “Kail says.” It perpetuates the stereotype of the hysterical woman and too emotional who wants it. So I really wish they hadn’t done that.

But fantasy author Christophe M. Cevasco find Masters of the Universe: Revelation be an almost perfect mix of classic characters and new ideas. “It ticked all the boxes I was hoping for, as someone who loved the show in the ’80s,” he says. “And I loved the new directions they took from that starting point. So for me, I just think it was the best of both worlds, and I can’t wait to see what happens next.

Listen to the full interview with Zach Chapman, Andrea Kail and Christopher M. Cevasco in episode 478 of Geek’s Guide to the Galaxy (above). And check out some highlights from the discussion below.

David Barr Kirtley on Skeleton:

“The guy who invented Skeletor, when he was a kid he went to an amusement park and was in the haunted house, and that corpse on a noose fell in front of him and scared him. And he said to me: ‘He’s a real corpse! I know it’s a real corpse. And it turned out that he has been a real corpse. There was this outlaw who died in a shootout with the police, and no one came to pick up the body, so the guy at the funeral home decided to embalm him and seek admission to see him . And then a con man came and cheated him, and sold him to a carnival or something. He changed hands a few times, and eventually people didn’t realize he was a real corpse, and he ended up at this amusement park. … So that’s what inspired Skeletor.

Christopher M. Cevasco on He-Man and the Masters of the Universe:

“I actually would record the episodes on VHS, watch them back and take careful notes for a planned project… history and geography, and biographies of the different characters. … I loved that it wasn’t just a regular cartoon where everything is on the surface. With various episodes throughout the run, you discover layers and layers of story behind the characters, and they bring back certain elements, and the relationships that develop and the mythology behind the world develop more and more as the characters develop. and to measure.

Zach Chapman on Dumb man:

“I thought Beast Man should have been against Triclops for reasons other than” Hey, don’t hurt Evil-Lyn. “Why his alliance with her? His alliance should be with the beasts he controls. [The Triclops cult] take these nano-machines, and they drink them, and they become part of the machine. So the Beast Man, being a beast, being from the natural world, should oppose this mixing of technology with the flesh and polluting the natural world. I thought it would have been a lot cooler if they had gone that way. Immediately I was like, ‘You’re making this guy just a bodyguard, when he could be a lot more interesting.’ “

Andrea Kail on Women Writers:

“As I watched [Masters of the Universe: Revelation], I watched the credits from the start, and it seemed to me that there was only one female writer, and that the main character – for all intents and purposes – is a female. I just don’t understand why you can’t have more female writers in there. And no female directors either, it was just two guys. Watch the [Power of Grayskull] documentary this morning, they had more women working on the original show in the ’80s than on this one. … There is now a call for stronger female characters, and that’s good, but we need more women behind the scenes. We need more women who write women’s stories.

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