“The Green Knight” is not for everyone


David Lowery’s new film The green knight gives a modern twist to the classic Arthurian tale “Sir Gawain and the Green Knight”. Fantastic author Lara Elena Donnelly appreciated the surreal and dreamlike quality of the film.

“I kind of liked living in the movie world as it happened, without the movie really telling me, ‘This is what’s happening now, and that’s why it’s happening.’ , Donnelly said in episode 483 of the film. Geek’s Guide to the Galaxy Podcast. “It was a mad rush while it was going on.”

Fantastic author Christophe M. Cevasco enjoyed some aspects of the movie, but ultimately struggled to connect. “There are definitely elements of that that will stay with me – some really powerful visual scenes that will haunt me,” he says. “But in the end, that’s about all I’ll remember from this movie, are these visuals. Everything else is already fading from my memory.

Geek’s Guide to the Galaxy host David Barr Kirtley warns that The green knight is strictly for the arthouse crowd. “It’s a movie where if people were like, ‘Should I go see this movie? I would say, “What do you think of pretentious films? “, He said. “If you like pretentious movies, definitely go see it. One hundred percent. And if you hate pretentious movies and can’t stand them, don’t go see this, you won’t like it at all.

Fantastic author Erin Lindsey had mixed feelings about The green knight, but appreciated that he had a strong artistic vision. “I would like to see more,” she said. “I would love to see more fancy that really swings for the fences and doesn’t spit up the same old stuff over and over again.”

Listen to the full interview with Lara Elena Donnelly, Christopher M. Cevasco and Erin Lindsey in episode 483 of Geek’s Guide to the Galaxy (above). And check out some highlights from the discussion below.

David Barr Kirtley on David Lowery:

“I had very high expectations for [The Green Knight], but the first time I watched it, I was really exasperated. I came home and my girlfriend Steph said, “How was it? And I was like, ‘Oh, that made me crazy. Do you know what it reminded me of? Do you remember this movie A ghost story that we watched? It’s that super pretentious ghost movie. I was like, ‘It reminded me so much of that. It was so slow. And Steph says, ‘Who ran it?’ And I said, ‘This guy David Lowery. I don’t know who he is. So I look at him and he’s the guy who led A ghost story. And it was like, ‘OK, that makes a lot of sense.’ “

Christopher M. Cevasco on ambiguity:

“I think a fair interpretation of all the trials and difficulties that [Gawain] A along the way is that they’re all basically Morgan or Merlin manifestations. How else does he get the belt back even if he lost it? His horse returns after being taken by the bandits. It’s because it’s all part of this great thing that they’re creating. But then why do they put obstacles in its way? Why are they giving him things back? I do not know. I have no answers. I don’t know there are all the answers. And it may be that my interpretation is not what the director had, maybe none of our interpretations are. We just don’t know. And that’s a problem.

Erin Lindsey on the narration:

“I understand why [The Green Knight] is polarizing, but I certainly didn’t feel an extreme reaction one way or the other. I almost wish I wasn’t a writer when I see these kinds of movies – and I wish I wasn’t a writer with brutally honest agents, because so much of my life is about deconstructing why something works or doesn’t work. . Even though I like something, I’m going to bite it to death, because that’s just how I’m programmed now to live stories and media. And it’s a bit of a shame, and I wonder how 20 years ago I would have experienced this film differently. But as it is, yes I liked it, but I can’t help but see what I see as areas for improvement.

Lara Elena Donnelly on Magic:

Black holly was one of my Bugle instructors, and when she told us about magical systems in fantasy, she said there were two kinds: there is the logic of day and the logic of night. The logic of the day is the kind that you can explain with rules, like in Harry Potter: if you say these words and move your wand like this, you get this effect. And nocturnal logic, these are things that feel good, and you can’t overemphasize that. It’s more difficult to write, because you have to evoke the feeling of correctness, without the explicit rules. And so for me a lot of this movie made a lot of sense at night. You can’t stress this enough. It’s just something that works because it feels good.


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